Kazimir Malevich
1878-1935 Russian painter, printmaker, decorative artist and writer of Ukranian birth. One of the pioneers of abstract art, Malevich was a central figure in a succession of avant-garde movements during the period of the Russian revolutions of 1905 and 1917 and immediately after. The style of severe geometric abstraction with which he is most closely associated, SUPREMATISM, was a leading force in the development of CONSTRUCTIVISM, the repercussions of which continued to be felt throughout the 20th century. His work was suppressed in Soviet Russia in the 1930s and remained little known during the following two decades. The reassessment of his reputation in the West from the mid-1950s was matched by the renewed influence of his work on the paintings of Ad Reinhardt and on developments
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Kazimir Malevich Landscape with a Yellow House oil painting


Landscape with a Yellow House
Landscape with a Yellow House, 1906
Painting ID::  59704 		Kazimir Malevich
Landscape with a Yellow House
Landscape with a Yellow House, 1906
   
   
     
Kazimir Malevich Bathers, oil painting


Bathers,
Bathers, 1908
Painting ID::  59705 		Kazimir Malevich
Bathers,
Bathers, 1908
   
   
     
Kazimir Malevich Winter, oil painting


Winter,
Winter, 1909
Painting ID::  59706 		Kazimir Malevich
Winter,
Winter, 1909
   
   
     
Kazimir Malevich Head of a Peasant Girl oil painting


Head of a Peasant Girl
Head of a Peasant Girl, 1912-1913
Painting ID::  59715 		Kazimir Malevich
Head of a Peasant Girl
Head of a Peasant Girl, 1912-1913
   
   
     
Kazimir Malevich Bureau and Room oil painting


Bureau and Room
Bureau and Room, 1913
Painting ID::  59716 		Kazimir Malevich
Bureau and Room
Bureau and Room, 1913
   
   
     
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     Kazimir Malevich
     1878-1935 Russian painter, printmaker, decorative artist and writer of Ukranian birth. One of the pioneers of abstract art, Malevich was a central figure in a succession of avant-garde movements during the period of the Russian revolutions of 1905 and 1917 and immediately after. The style of severe geometric abstraction with which he is most closely associated, SUPREMATISM, was a leading force in the development of CONSTRUCTIVISM, the repercussions of which continued to be felt throughout the 20th century. His work was suppressed in Soviet Russia in the 1930s and remained little known during the following two decades. The reassessment of his reputation in the West from the mid-1950s was matched by the renewed influence of his work on the paintings of Ad Reinhardt and on developments

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